It is believed that Edvard Grieg received music lessons from his mother at the age of six (Edvard Grieg, n. d. ). His mother, Gesine Hagerup, was said to belong to a pure Norwegian peasant family [and from whom] that [he] derived his musical talent (Edvard Grieg, 2010b). Edvards mother was an educated pianist and started giving piano lessons to her son when the latter was six years of age, and during which Edvard learned the pianoforte. Because of this, he was able to create his first ever composition, Variations on a German Melody, which he wrote when he was but nine years old.
(Edvard Grieg, 2010b) Perhaps one particular experience that inspired Grieg was the summer holiday he had with his father in Norway in 1858 when he was 15. This experience of seeing the mountain and fjord was said to have exercised a powerful influence on the childs musical imagination (Edvard Grieg, 2010b). It was also in the autumn of the same year that Grieg went to the Leipzig Conservatory to study music Herresthal, 2001), although it is said that he did not enjoy life [there] (Edvard Grieg, n. d. ). One reason could be that he hated his piano teacher so much.
(Edvard Grieg, 2010a) Nevertheless, at the Conservatory, Griegs teachers were among the most eminent in Europe [that] four years [in 1862] later he left the Conservatory as a full-fledged musician and composer (Herresthal, 2001). Although it was Griegs mother that may have first sparked his interest in music, his teachers at the Conservatory were the once who perfected his skills. One of his teachers, E. F. Wenzel, taught him the music of the 19th century German musician, Robert Schumann, which influenced most of Griegs first pieces. (Edvard Grieg, 2010a) Failures and Major Accomplishments
One of Griegs first problems while studying music at the Conservatory was that he had to take some time off in 1860 after a violent attack of pleurisy leaving him with seriously recurring respiratory problems (Edvard Grieg, n. d. ). His other problem was perhaps the fact that he did not like studying at the Conservatory because of his teachers: his piano teacher Plaidy, his seemingly hypercritical harmony teacher, E. F. Richter, his other harmony teacher, Robert Papperitz, who once called him a Spohr, and his violin teacher, Reinicke, who lacked a system of teaching (Finck, 2002, p.
14-15). However, despite this, Grieg pursued his studies to the end. Griegs other problems were the long periods of respite all throughout his composing career, because of respiratory problems due to pleurisy (Edvard Grieg, 2010a) and he had an unusually weak stamina. In 1883, he was in an artistic and personal crisis as he became extremely dissatisfied with his works and he even left his wife Nina Hagerup for several months until January of 1884 when both of them reconciled (Edvard Grieg, 2010a).
After this moment of great crisis, Grieg s enthusiasm came back and he was able to produce the Holberg Suit, which was one of his most famous musical achievements. When it came to his accomplishments, one would consider Griegs first composition, Variations on a German Melody, written when he was only nine (Edvard Grieg, 2010b), as perhaps his very first musical achievement. His other greater achievements began pouring in after attending the Leipzig Conservatory: First, he composed the Piano Concerto in A minor in 1868.
Next, he made the music for the stage play Peer Gynt, which was personally requested in January 1874 by Griegs devoted friend and Norways finest playwright, Henrik Ibsen (Finck, 2002, p. 40). It is said that the first performance of Peer Gynt in 1876 was a resounding success [that] made Grieg into a national figure overnight (Edvard Grieg, n. d. ). Griegs third major accomplishment was in 1884, which was his acceptance of a commission to write a particular musical piece in order to commemorate the 200th anniversary of the birth of Ludvig Holberg, one of Norways most prominent philosopher and playwright.
The result was the five-movement piano piece known as the Holberg Suit. By the following year, 1885, it is said that Grieg had established a considerable reputation. (Edvard Grieg, n. d. ) Last Years of Griegs Life and His Death Grieg died in the place where he was born, at Bergen, on September 4, 1907. Since 1900, his health deteriorated, but he still undertook long concert tours and he died, about to leave for England (Edvard Grieg, 2010a). It was actually during around this time that Griegs fame and public life blossomed to perfection.
When he died after a long illness aggravated by his pleurisy, it was autumn, and his funeral drew around 30,000 to 40,000 people who honored Norways greatest musician of his time. Personality and Character Grieg was an extremely nationalistic man, which may be due to the fact that he was born during the time when Norway was fighting for independence from Denmark. After leaving the Leipzig Conservatory of Music in 1862, Grieg met the Norwegian composer Rikard Nordraak and after hearing the latters music, he dedicated himself to the cause of Norwegian musical nationalism. (Edvard Grieg, 2010a)
Grieg may have also been a sensitive man for he disliked being criticized by his teachers in the Conservatory, or this is perhaps due to the fact that both [he] and [his wife] Nina were extremely short, barely five feet tall. (Edvard Grieg, 2010a) Lastly, Grieg may have also been one idealistic man. At the Leipzig Conservatory, he criticized the lack of system of Reinecke, one of his teachers. He also criticized his own fellow countrymen for their lack of national spirit. He wrote We Norwegians, especially, usually develop too slowly to show in the least at the age of eighteen what we are good for.
(Finck, 2002, p. 16) The Setting in Which Grieg Lived Griegs great grandfather, Alexander Greig, was a native of Scotland who immigrated to Norway during the war between the English and the Scotchmen in the 18th century. He changed his family name later on to Grieg in order to conform to traditional Norwegian spelling. Alexander Grieg, although he changed his name and nationality to Norwegian, was actually a devout Christian and a member of the Scotch Reformed Church [who] was so strong in his adherence to his faith that he made an annual trip to [his native country] to partake of the communion (Finck, 2002, p. 2).
This Christian tradition, although not mentioned, may have been practiced even by Edvard Grieg himself. Edvard Griegs Swedish ancestor, Kjeld Stub, was a parson, and another ancestor was a bishop named Magister Eiler Eilersen (Finck, 2002, p. 4). This long line of Christian ancestry of Grieg, although not explicitly mentioned in several of his biographies, may have greatly influenced him and his music. In fact, before Grieg thought of becoming a musician, he wanted to be a pastor [and] to be able to preach to an interested congregation. (Finck, 2002, p. 8) The Grieg home was a musical home mainly because of Griegs mother.
This was actually the perfect setting for the development of his musical abilities. The fact that Norway was fighting for independence during Griegs time may have also had a significant influence upon the young musicians desire to pursue his talent and to redefine Norwegian music. Best Musical Pieces Griegs Piano Concerto in A minor is his most famous work. His In the Hall of the Mountain King, one of his musical pieces for Ibsens Peer Gynt was another one of Griegs glorious masterpieces. Lastly, his Holberg Suit, which he wrote for Norways Ludvig Holberg, was another work worthy of praise and fame.
Conclusion Edvard Grieg was indeed Norways greatest musician. Despite his Scottish ancestry, he advocated Norwegian nationalism in his musical works that were heavily influenced by Norwegian folk music. With his mothers influence, his years in the renowned Leipzig Conservatory of Music, and his uncanny mixture of wit, idealism, perseverance and sensitivity, Grieg was able to overcome all obstacles and make himself the greatest Norwegian musician of his time. References Edward Grieg (1843-1907). (2010a). Retrieved Jun. 2, 2010 from the Classical Net website: http://www. classical. net/music/comp.
lst/grieg. php Edward Grieg (1843-1907). (n. d. ). Retrieved Jun. 2, 2010 from the Passagen website: http://hem. passagen. se/alkerstj/worldofclassicalmusic/romantic_legacy/edvard_grieg. html Edward Grieg. (2010b). Retrieved Jun. 6, 2010 from the NNDB website: http://www. nndb. com/people/870/000024798/ Finck, H. T. (2002). Edvard Grieg. Charleston, SC: BiblioBazaar LLC, 2-40. Herresthal, H. (2001). Edvard Grieg Biography of Norways Greatest Composer. Great Norwegians Homepage. Retrieved Jun. 1, 2010 from the Metropolitan News Company website: http://www. mnc. net/norway/GRIEG. HTM